Shea Carponter-Broderick (she/her) is a freelance movement artist and educator based in the Atlanta area. Originally from Raleigh, North Carolina, Shea earned her Bachelor of Fine Arts in Dance and a minor in Movement Science from the University of Michigan in 2020. While attending UofM she had the opportunity to work with and perform pieces by Jawole Willa Jo Zolar, Rosie Herrera, Shannon Gillen, Jennifer Harge, Jen Peters, Amy Chavasse, and Megan Bascom. Since graduating she has continued to collaborate with Megan Bascom, occasionally making work in Asheville, NC, as well as creating original and often whimsical dance films and improvisational work with friend and peer Kate Gupton in Durham, NC. Shea and Kate’s dance film, “Don’t Be A Drag”, created in early 2021, was selected to be featured in the 2021 Movies by Movers film festival presented by American Dance Festival. During her time in Atlanta, she has worked on projects with Nadya Zeitlin and her company Bautanzt Here, performing site-specific works in public spaces throughout the city. She is thrilled to be joining Monica Hogan Danceworks for her second project with the company. 

In addition to her movement work, Shea is also passionate about injury prevention and educating young performing artists about functional anatomy and how to take care of their bodies in the long term.

Audrey Crabtree (she/her) holds a Bachelor of Performing Arts degree in Dance Performance from Oklahoma City University. Her performance work includes the theme park stages of Busch Gardens Williamsburg and Six Flags Magic Mountain dancing at Howl-O-Scream, Christmastown, Looney Tunes Kids Club, Fright Fest, and Holiday in the Park. Living in Los Angeles, Audrey performed with L.A. Unbound, the Speak Hill Dance Project, City Ballet of Los Angeles, Amaterasu Dance Company, and J Sutta. Moving back to Atlanta, Audrey worked with Watershed Dance Theatre and performed six seasons with Sideways Contemporary Dance Company. Choreographic works by Audrey were presented in 2021 at Atlanta's Spring for Spring & Fall for Fall dance festivals. A dance educator at RISPA and mother of two, Audrey is thankful to be in rehearsals with Fuerta Dance Company, ALA, and Monica Hogan Danceworks. She has been a member of MHDW since 2021.

Katelynn Draper (she/her) is an accomplished dancer, educator, and performer with a deep commitment to mentoring emerging talent. She has dedicated over a decade to nurturing the next generation of dancers and enriching the dance community. Through her passionate teaching and mentorship, she has inspired countless young artists, sharing her expertise and fostering a love for dance. Her commitment to education and community involvement reflects her belief in the transformative power of dance and her desire to give back to the art form that has shaped her life.

Katelynn earned her BFA from the University of Florida, graduating Summa Cum Laude, with additional training at the New World School of the Arts in Miami. Her professional journey includes performing repertoire with esteemed choreographers such as Judith Jamison, Kyle Abraham, Peter London, Bill T. Jones, Darshan Bhuller, Rennie Harris, and Robert Battle. She also studied at Jacob’s Pillow in the Contemporary program under Milton Myers. 

Her dynamic career features standout performances such as the Orange Bowl Halftime Show with Ciara, halftime shows with the Miami Heat, and a notable appearance for MTV's The Seven in Christina Aguilera's film Burlesque. While based in Miami, Katelynn danced with Peter London Global Dance Company, New World Dance Ensemble and performed in the Daniel Lewis Dance Sampler. She also expanded her experience by dancing with various small professional companies in New York City.

Her exceptional talent has been recognized with numerous regional and international dance awards, including "Best Choreography." Recently, Katelynn performed at the inaugural "Disrupt Industry Screenwriting Conference" in Portugal. Originally from Florida, she has relocated to Atlanta to further her career in dance, performance, and choreography. Katelynn is thrilled to have joined Monica Hogan Dance Works and eagerly anticipates the exciting opportunities ahead.

Julianna (she/her) is a professional dancer based in Atlanta. She is in her second season with Monica Hogan Danceworks. She has performed with Full Radius Dance and recently worked as an action artist with the Atlanta Opera. She pursues freelance work and has been lucky enough to work with local choreographers like Julio Medina, Patsy Collins, Meaghan Novoa, and Nadya Zeitlin, among others.

Emily Hogan (she/her) is a dancer and choreographer from Atlanta, Georgia. She received her early training at studios including Centre Stage, The Georgia Ballet, and Atlanta Ballet. She received a B.A. in Politics and a Certificate in Dance from Princeton University, where she had the opportunity to perform repertory by Bill T. Jones, Stephen Petronio, Zvi Gotheiner, Merce Cunningham, Brian Brooks, Jessica Lang, Pam Tanowitz, and more. In 2015, Emily received the Francis LeMoyne Page Award for Outstanding Achievement in the Creative Arts. She was an active member of Princeton's BodyHype Dance Company and served as artistic director. Emily spent over 5 years in NYC performing, choreographing, and teaching as a freelance artist. She had the pleasure to work with companies including De Funes Dance, Monica Hogan Danceworks, and Grind Arts Company. Also a certified yoga teacher since 2017, she has taught throughout Lower Manhattan and Atlanta. After a relocation to Atlanta, Emily is thrilled to be currently dancing with Monica Hogan Danceworks.

Jodie Jernigan (she/her) is an interdisciplinary movement artist based in Atlanta, Georgia. In addition to pursuing freelance performance and creation opportunities, she is a company dancer with Monica Hogan Dance Works and Graham Shelor Dance. She has performed locally at the Modern Atlanta Dance Festival (2023-2025), Inman Park Dance Festival (2023-2025), Fall for Fall Dance Festival (2022-2024), and Decatur School of Ballet’s Meli Kaye Artist in Residency Showing (2023), to name a few. She spent three seasons as a company dancer with Full Radius Dance (2022-2025) and was a company dancer with SOMOS dance company for their second season (2024). 

Jodie has presented work at the American College Dance Association Festival (2022), Alabama Dance Festival (2023), Fall for Fall Dance Festival (2024), MixtapeATL Film Festival (2021), and through DanceATL’s AM Collaborative program (2025). Jodie debuted her first self-produced evening-length solo, On Guilt & Clementines, at the Atlanta Fringe Festival (2025) and went on to excerpt and epilogue the work for the Modern Atlanta Dance Festival (2025). 

Jodie earned her AA with an emphasis in dance from Florida State College at Jacksonville (2018-2020), where she served as both dancer and company manager for DanceWORKS. She went on the receive her BA in Dance and English from Brenau University (2020-2022), where she founded and directed the university's annual cross-disciplinary Poetry in Motion Film Festival. 

She is currently on faculty at Decatur School of Ballet, where she shares her experience, knowledge, and passion with the next generation of artists.

Jodie has had the opportunity to produce and present work for the American College Dance Association Festival, Alabama Dance Festival, Fall for Fall Dance Festival, MixtapeATL Film Festival, and Dance Canvas' On Film Program. 

Britanie Leland (she/her) began her dance training in West Palm Beach, Florida, attending the Bak Middle School of the Arts, and Alexander Dreyfoos Jr. School of the Arts. She attended the University of South Florida, graduating Magna Cum Laude with a BFA in Dance Performance, and a minor in Business Administration. Following graduation, she relocated to Atlanta, where she worked with Staibdance (company dancer), Emily Cargill and Dancers (company dancer), Fly on A Wall, Catellier Dance Project as well as independent choreographers Jessica Bertram and Patsy Collins. She has also guested with The Nash Conspiracy/Rosie DeAngelo (NC), Jellybean Dance Collective (AL), and Visionary Dance Theater (CA). Through these companies, Britanie has had the opportunity to perform in Sweden, Italy, and all across the United States. She has been teaching and choreographing in the Southeast for over seven years. Her work has been presented at Spring for Spring Dance Festival, Skwirlhaus, Localmotion Arts Festival, and Fieldwork with Core Dance. She has been a member of MHDW since 2021.

Isa (they/she) is a multifaceted dancer, choreographer, and intimacy coordinator from Tallahassee, FL, now based in Atlanta, GA. Trained at the University of North Carolina School of the Arts, Isa’s practice draws from a wide range of movement vocabularies—including Cunningham, Limon, Countertechnique, and Release Technique—while also embracing interdisciplinary collaboration and devised performance.

Their performance career includes work by celebrated choreographers such as Shen Wei, Martha Graham, Merce Cunningham, and Trisha Brown, alongside a soloist role in Love and Depositions, a devised theater piece created with UNCSA’s world-renowned School of Drama. Isa has performed widely across concert dance and immersive theater, collaborating with companies including Monica Hogan Danceworks, Graham Shelor Dance, Bautanzt Here, VIA UNI and choreographer Meagan Novoa. In 2024, they were awarded the Spring Rising Artist Residency through Rise City Dance, where they developed and premiered their first evening-length work, Within The Mortal Skin, and offered free community classes. Most recently, their newest choreographic work was presented at the 2025 MAD Festival, affirming Isa’s commitment to experimental, research-driven performance that challenges the confines of traditional contemporary dance.

As a teacher, Isa strives to empower movers with the tools to evolve as both artists and technicians. Their classes center consent-based education, giving students agency over their bodies and permission to enjoy their own technical processes. For Isa, dance is not only a practice of rigor but also one of joy, physical freedom, and community. They believe every body—regardless of size, age, or ability—has the right to revel in movement and the profound intimacy it fosters among groups. In the studio, Isa invites students to investigate dance as a form of communication and storytelling, with attention to non-Western modes of expression and an honoring of their Cuban heritage through music and movement.

At the heart of Isa’s artistry is a belief that dance is a platform for empowerment, self-expression, and cultural exchange. Whether performing, teaching, or choreographing, they are dedicated to cultivating inclusive creative spaces where agency, narrative, and collaboration intersect. Most recently, Isa has expanded their practice internationally through a collaboration with an artist based in Guadalajara, Mexico. Together, they led their first workshop Feeld of Being in Atlanta and are working toward building bridges between the dance communities of Atlanta and Mexico, fostering dialogue, exchange, and shared growth across borders.

Graham Shelor (He/Him) is an Atlanta-based movement artist, improviser, and dance educator whose movement practice spans contemporary and other genres. He is the Founding Artistic Director of Graham Shelor Dance Company. Graham holds a B.A in Dance from Middlebury College where he had the privilege of training under Christal Brown, Laurel Jenkins, Lida Winfield, Kari Borni, Meshi Chavez, and Michael Abbatiello. Recently, he premiered his first evening-length work, NOISE REDUCTION, in the Atlanta area to much acclaim. Graham has choreographed works which have been shown at Fall for Fall Dance Festival (GA), Middlebury College, the New England Conference of American College Dance Association (VT), and NewGrounds Dance Festival (FL). He has been featured as a dancer in works created by Tori Lawrence, Monica Hogan, Maia Sauer, Dahyun Kim, Atarius Armstrong, and Yoshito Sakuraba. Currently, Graham is a company member of ALA Dance and Monica Hogan Danceworks. He is also the Atlanta Princess of the Kiki House of Bodega, walking underground kiki balls in Atlanta and beyond in the butch queen vogue femme category. Graham has shared his love for dance through teaching a wide variety of ages and abilities in studios and schools in Tampa, Middlebury, and Atlanta. He is honored to be a teaching artist Moving in the Spirit as well as a faculty member at Dauphin Dance Center.

Haley Wall (she/her) is a dance artist originally from Virginia Beach, Virginia. She relocated to Richmond, Virginia to pursue a BFA in Dance & Choreography from Virginia Commonwealth University, while studying abroad in Paris, France, performing in international works in Berlin, Amsterdam, and Rouen. Wall spent some time developing her early professional career as a company dancer and repertory lead for KARAR DANCE COMPANY. After relocating to Atlanta, she attended ImmerseATL, a contemporary training and mentorship program founded by Sarah Hilmer. As an alumni of the program, Haley is currently in process with several ATL dance makers, a company dancer with ALA Dance, and most recently performed alongside Atlanta Baroque Orchestra + staibdance’s collaborative production of Henry Purcell’s ‘Dido & Aeneas’. She is passionate about finding joy in the sheer movement and physicality of dance, tapping into the unlimited potential of the human body.